Rouge Mocap
Unannounced AAA Game Cinematics
CG Supervisor, Pipeline Supervisor
From Nov 2024 To Current
- Supervising the creation of both pre-rendered and real-time in-game cinematics, ensuring high visual fidelity and narrative impact across multiple AAA titles.
- Leading a cross-functional team of artists—ranging from layout and FX to lookdev and animation—with the team scaling toward 50 artists by summer.
- Overseeing cinematic production pipelines with a focus on motion capture integration, real-time rendering, and automated asset throughput.
- Designing and developing custom pipeline tools for DCC apps and Unreal Engine, including systems for version control, asset tracking, and workflow automation.
- Collaborating closely with cinematic directors, producers, and narrative teams to align creative intent with technical execution.
- Contributing hands-on in layout, FX, modeling, and look development as needed, while prioritizing high-level supervision and direction.
- Utilizing Python, YAML, and JSON in the development of scalable pipeline solutions, with FTrack as the core of production tracking and task management.
Marvel Studios
Eyes of Wakanda
CG Supervisor
From Jan 2022 To Jan 2024
- Managed a diverse team including modelers, lookdev artists, riggers, animators, pre-vis, and design artists, orchestrating the seamless collaboration of different specialties.
- Maintained and enhanced vendor relationships, working closely with them to achieve the desired visual aesthetics for the show.
- Contributed hands-on to compositing, character rigging, crowd simulations, and FX work, showcasing multifaceted technical skills.
- Stepped in for modeling and look development on characters and props as required, demonstrating adaptability and a broad skill set.
- Oversaw bidding processes for various CG department tasks, ensuring cost-effective and efficient resource allocation.
- Developed and managed artist schedules, guaranteeing timely completion of tasks and adherence to project timelines.
See on IMDB
CoSA VFX
Resident Alien
CG Supervisor
From Jul 2020 To Jan 2022
- Functioned as CG Supervisor for both Seasons 1 and 2, leading and managing a broad spectrum of artists including modelers, look dev artists, riggers, character animators, FX artists, set designers, layout artists, and lighting/rendering artists.
- Took charge of overseeing all aspects of animation, ensuring that each frame met the highest standards of quality and creativity.
- Ensured that all visual effects aligned with client standards, maintaining a consistent level of excellence across episodes.
- Handled bidding and scheduling for each episode's effects and animation work, demonstrating proficiency in project management and resource allocation.
- Contributed creatively to the design of complex FX elements such as smoke, fire, snow, and water effects, showcasing technical expertise and artistic vision.
See on IMDB
Night Sky
CG Supervisor
From Apr 2021 To Jan 2022
- Oversaw CG Supervision for "Night Sky," playing a key role in shot design and visual effects execution.
- Managed a multidisciplinary team of artists encompassing modelers, look dev artists, camera trackers, layout artists, as well as lighting and rendering specialists.
- Directed the bidding and scheduling for the production of digital assets, ensuring efficient resource allocation and timeline adherence.
- Maintained stringent quality control throughout the production process, culminating in the delivery of final shots that met client expectations.
See on IMDB
Unbearable Weight of Massive Talent
CG Supervisor
From Jun 2021 To Dec 2021
- Led the CG Supervision, focusing on the creation of high-quality CG elements to enhance visual storytelling.
- Specialized in crafting body doubles and head replacements for Nicolas Cage, demonstrating advanced skills in character replication and digital effects.
See on IMDB
Helstrom
CG Supervisor
From Apr 2020 To Jul 2020
- Served as CG Supervisor, leading teams of FX artists, trackers, modelers, animators, and match-movers, ensuring cohesive and efficient team dynamics.
- Played a pivotal role in developing complex fire elements and flaming props, showcasing advanced skills in dynamic FX creation.
- Responsible for bidding and scheduling tasks for the show, demonstrating adeptness in resource management and project planning.
- Maintained high standards of quality control throughout the production process, contributing significantly to the overall visual impact of the show.
See on IMDB
Aaron Sims Creative
Technical Director, Pipeline Supervisor
Technical Director, Pipeline Supervisor
From Sep 2016 To Apr 2020
- Spearheaded the creation of the ASC pipeline, integrating it seamlessly with the Shotgun system for streamlined operations.
- Developed custom DCC integrations, publishing, and artist tools, enhancing workflow efficiency and creativity.
- Implemented numerous event listeners for functions ranging from project initiation to artist review notifications.
- Innovated a DCC-integrated timesheet program, allowing real-time tracking of artist time cards across multiple platforms including Maya, Nuke, Photoshop, Mari, and Houdini.
- Designed mass-distribution tools for consistent configuration rollout across all projects.
- Created a Maya/Deadline turn-table tool with one-click functionality, drastically reducing the time to build fully lit and rendered turn-tables.
- Developed a farm-enabled playblast utility and a dynamic caching utility, optimizing rendering and caching processes.
- Pioneered a Dropbox-enabled remote publishing utility, enabling artists to contribute to the Shotgun pipeline from any global location.
Asura
VFX Supervisor, Technical Director
From Dec 2017 To Oct 2018
- Fulfilled the role of Supervisor, ensuring the seamless execution of computer-generated elements.
- Designed complex character rigs, contributing to the realistic portrayal and movement of digital characters.
- Executed camera match moving and animation, enhancing the visual continuity and realism of scenes.
- Directly involved in character animation, showcasing a blend of technical skill and creative artistry.
- Led and managed a team of artists, fostering a collaborative environment and ensuring project goals were met.
See on IMDB
The Mist
CG Supervisor, Technical Director
From Sep 2016 To Jun 2018
- Engineered advanced rigs for horse motion capture data, including spring-driven rigs for more natural secondary animations.
- Conducted comprehensive simulations for cloth, rope, chain, and hair, enhancing realism in visual effects.
- Led a team of artists in shot assembly and additional cloth simulations, fostering collaboration and quality.
- Pioneered the development of the studio's pipeline, optimizing workflows for both the studio and the show.
- Skillfully animated, rigged, and match-moved a zombie baby, demonstrating versatility in character animation.
- Supervised animation sequences for the zombie baby, the four horsemen, and spiders, ensuring consistency and quality.
- Rigged spiders and executed their hair simulations, adding intricate detail to creature effects.
See on IMDB
Midnight Texas
CG Supervisor, Technical Director
From Sep 2016 To Jun 2018
- Supervised the FX team, ensuring efficient workflow and high-quality visual effects.
- Conceptualized and created ghost and smoke elements, adding unique visual elements to the series.
- Took on compositing responsibilities for several key shots, blending elements seamlessly.
- Rigged a demon character and managed the animation team, ensuring lifelike and coherent animations.
See on IMDB
Stranger Things
VFX Supervisor
From Sep 2016 To Jun 2018
- Led the Supervision for reworked shots in Season 1 of "Stranger Things," ensuring high-quality visual outcomes.
- Developed specialized tools for the lighting and rendering team to enhance efficiency and shot finalization.
See on IMDB
